visual art

Pop provocateur

1 November 2014 9:00 am

After years of being effectively banned from exhibiting in his own country, Allen Jones finally reaches the RA with his first major UK retrospective. Andrew Lambirth meets him

Alan Beeton, ‘Reposing’, 1929

Artists’ little helpers

1 November 2014 9:00 am

A 19th-century London artists’ supplier named Charles Roberson offered imitation human beings for sale or rent, with papier-mâché heads, soft…

Art of grunting

1 November 2014 9:00 am

Mr Turner may be the gruntiest film of the year, possibly the gruntiest film ever. ‘Grunt, grunt, grunt,’ goes Mr…

Finding his feet: ‘Untitled (man and two women in a pastoral setting)’, 1940

Becoming Rothko

1 November 2014 9:00 am

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in…

Rough-Huhne

1 November 2014 9:00 am

I love Grayson Perry. You might almost call him the anti-Russell Brand: a genuinely talented artist who also has some…

Mis-en-Mars

1 November 2014 9:00 am

You have to hand it to the Russians. They beat us into space, beat us to sexual equality, and a…

‘Winter Landscape (Winterlandschaft)’, 1970, by Anselm Kiefer

From the sublime to the ridiculous

11 October 2014 9:00 am

In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has…

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Small wonder

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…

‘Interior (Innenraum)’, 1981, by Anselm Kiefer

Master of alchemy

20 September 2014 9:00 am

Martin Gayford talks to a surprisingly jolly Anselm Kiefer about art and metamorphosis

‘Moonrise and Pale Dancer’ by Derek Hyatt

A Cubist in New York

20 September 2014 9:00 am

The American Jewish artist Max Weber (1881–1961) was born in Belostok in Russia (now Bialystok in Poland), and although he…

Ellie Harrison’s cannons — poised to usher in a ‘Socialist Republic of Scotland’

Independence will lead to artistic ‘desecration’

13 September 2014 9:00 am

Daniel Jackson foresees an impoverished cultural landscape for an independentScotland, with artists forced to do Salmond’s bidding