visual art

‘Untitled (Oxidation Painting)’, 1978, by Andy Warhol

‘So quick and chancy’

6 February 2016 9:00 am

When asked the question ‘What is art?’, Andy Warhol gave a characteristically flip answer (‘Isn’t that a guy’s name?’). On…

About strange lands and people: ‘Midsummer Eve Bonfire’, after c.1917, by Nikolai Astrup

Magnetic north

30 January 2016 9:00 am

The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie

‘Nympheas (Waterlilies)’, 1914–15, by Claude Monet

Show me the Monet

30 January 2016 9:00 am

Philip Larkin once remarked that Art Tatum, a jazz musician given to ornate, multi-noted flourishes on the keyboard, reminded him…

Cecily Parsley makes cowslip wine, illustration from‘Cecily Parsley’s Nursery Rhymes’ by Beatrix Potter

The art of Beatrix Potter

12 December 2015 9:00 am

Her best illustrations — limpid, ethereal, carefully observed — are masterly works of art in their own right, argues Matthew Dennison

‘Lady at the Virginal with a Gentleman’ or ‘The Music Lesson’, 1662–5, by Vermeer

Artistic taste is inversely proportional to political nous

28 November 2015 9:00 am

‘Wherever the British settle, wherever they colonize,’ observed the painter Benjamin Robert Haydon, ‘they carry and will ever carry trial…

Power tool: Elisabeth Frink carving ‘Dorset Martyrs’, c.1985

Lost in space

21 November 2015 9:00 am

In a converted barn in Dorset, not far from the rural studio where she made many of her greatest sculptures,…

The man who made abstract art fly

14 November 2015 9:00 am

One day, in October 1930, Alexander Calder visited the great abstract painter Piet Mondrian in his apartment in Paris. The…

Hanging offence

29 October 2015 9:00 am

Modern Scottish Men, a new exhibition celebrating the achievements of male artists in the 20th century, opens next month in…

Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed

24 October 2015 9:00 am

One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…

What is it about Bill Viola’s films that reduce grown-ups to tears?

17 October 2015 8:00 am

What is it about Bill Viola's films that reduce grown-ups to tears? William Cook dries his eyes and talks to the video artist about Zen, loss and nearly drowning

Why did Goya’s sitters put up with his brutal honesty?

10 October 2015 9:00 am

Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…

‘Dead Rabbit’, 1962, by Dennis Creffield

Now you see it, now you don’t

3 October 2015 8:00 am

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

‘Night in Marrakesh’, 1968, by Brion Gysin

Indiscreet astronaut

26 September 2015 8:00 am

Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…

Detail from Gundestrup cauldron, 100 BC–AD 1

Melting pot

26 September 2015 8:00 am

‘Celtic’ is a word heavily charged with meanings. It refers, among other phenomena, to a football club, a group of…

‘Socialist realism and pop art in the battlefield’, 1969, by Equipo Cronica

Bursting the bubble

19 September 2015 8:00 am

The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…

Lines of beauty

12 September 2015 9:00 am

Marshall McLuhan got it at least half right. The medium may not always be the entire message, but it certainly…

Ravilious in Essex: ‘Two Women in the Garden’, watercolour, 1932

The only art is Essex

29 August 2015 9:00 am

When I went to visit Edward Bawden he vigorously denied that there were any modern painters in Essex. That may…

‘Turning Road (Route Tournante)’, c.1905, by Paul Cézanne

Seeking closure

15 August 2015 9:00 am

A while ago, David Hockney mused on a proposal to tax the works of art stored in artists’ studios. ‘You’d…

Richard Long installing the large slate cross, Time and Space (2015), at the Arnolfini

The Long view

8 August 2015 9:00 am

William Cook explores the elemental art and Olympian walks of Richard Long

‘Marie-Anne Françoise Liotard with a Doll’, c.1744, by Jean-Etienne Liotard

Life after death

8 August 2015 9:00 am

This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…

‘The Wilderness, Hartwell House, Buckinghamshire’ by Balthasar Nebot

Portrait or landscape?

8 August 2015 9:00 am

One of the default settings of garden journalists is the adjective ‘painterly’ — applied to careful colour harmonies within a…

Watery depths

1 August 2015 9:00 am

I learnt to splash about in watercolour at my grandmother’s knee. Or rather, sitting beside her crouched over a pad…

Portrait of the artist as a madman

25 July 2015 9:00 am

Charles Dickens’s description of Cobham Park, Kent, in The Pickwick Papers makes it seem a perfect English landscape. Among its…

John Waters: ‘I’m a good uncle — I’ll get you an abortion, I’ll get you out of jail, I’ll take you to rehab.’

‘Shocking is too easy’

11 July 2015 9:00 am

No one does transgression like the filmmaker John Waters. Jasper Rees talks to him about political correctness, post-ops and pubes

Detail of a maiolica vase, c.1565–1571, a star piece for both Horace Walpole at Strawberry Hill and later for Baron Ferdinand at Waddesdon Manor

Curiouser and curiouser

11 July 2015 9:00 am

Art is not jewellery. Its value does not reside in the price of the materials from which it is made.…