Theatre
The problem with psychiatrists? They’re all depressed
Edinburgh seems underpopulated this year. The whisky bars are half full and the throngs of tourists who usually crowd the…
What a slippery, hateful toad Fred Goodwin was
Make It Happen is a portrait of a bullying control freak, Fred Goodwin, who turned RBS into the largest bank…
Rattigan’s films are as important as his plays
A campaign is under way to rename the West End’s Duchess Theatre after the playwright Terence Rattigan. Supported as it…
Edinburgh Fringe’s war on comedy
Every day my inbox fills with stories of panic, madness and despair. The Edinburgh Fringe is upon us and the…
The National have bungled their Rishi Sunak satire
The Estate begins with a typical NHS story. An elderly Sikh arrives in A&E after a six-hour wait for an…
Scooby-Doo has better plots: Almeida’s A Moon for the Misbegotten reviewed
A Moon for the Misbegotten is a dream-like tragedy by Eugene O’Neill set on a barren farm in Connecticut. Phil…
The Ministry of Lesbian Affairs is as sweet and comforting as a knickerbocker glory
The Ministry of Lesbian Affairs is a comedy that feels as sweet and comforting as a knickerbocker glory. The show…
Superb: Stereophonic, at Duke of York’s Theatre, reviewed
Stereophonic is a slow-burning drama set in an American recording studio in 1976. A collection of hugely successful musicians, loosely…
The cheering fantasies of Oliver Messel
Through the grey downbeat years of postwar austerity, we nursed cheering fantasies of a life more lavishly colourful and hedonistic.…
Ingenious: the Globe’s Romeo & Juliet reviewed
Cul-de-Sac feels like an ersatz sitcom of a kind that’s increasingly common on the fringe. Audiences are eager to see…
Why disaffected actors often make excellent playwrights
Actors are easily bored on long runs. Phoebe Waller-Bridge once revealed that she staged distractions in the wings to amuse…
Provocative, verbose and humourless: Mrs Warren’s Profession reviewed
George Bernard Shaw’s provocative play Mrs Warren’s Profession examines the moral hypocrisy of the moneyed classes. It opens with a…
Everyone should see the Globe’s brilliant new production of The Crucible
Sanity returns to the Globe. Recent modern-dress productions have failed to make use of the theatre’s virtues as a historical…
Magnificent: The Deep Blue Sea, at the Theatre Royal Haymarket, reviewed
Richard Bean appears to be Hampstead Theatre’s in-house dramatist, and his new effort, House of Games, is based on a…
Two hours of yakking about Israel: Giant, at the Harold Pinter Theatre, reviewed
Two hours of yakking about Israel. That’s all you get from Giant at the Harold Pinter Theatre. Endless wittering laced…
Delightful nostalgia for political wonks: The Gang of Three, at the King’s Head Theatre, reviewed
The Gang of Three gets into the nitty-gritty of Labour politics in the 1970s. It opens with the resignation of…
How tech ruined theatre
Poor John Dennis. In 1709, the playwright devised a novel technology to simulate thunder to accompany his drama Appius and…
Pure gold: My Master Builder, at Wyndham’s Theatre, reviewed
My Master Builder is a new version of Ibsen’s classic with a tweaked title and a transformed storyline. Henry and…
The case for replacing nurses with robots
Tending is a work of activism on behalf of the NHS. The script brings together the testimony of 70 nurses…
Those behind this fabulous new comedy are destined for big things
Rhinoceros by Eugene Ionesco is a period piece from 1959. It opens with the invasion of a French village by…
A horribly intriguing dramatic portrait of Raoul Moat
Robert Icke’s new play examines one of the least appetising characters in British criminal history. Raoul Moat went on a…
Visit the King’s Head Theatre for one of the greatest theatrical surprises of the year
Amanda Abbington’s new show is heavily indebted to Noël Coward’s Hay Fever.Coward’s early play follows the tribulations of the superficial…
I wish someone would kill or eat useless Totoro
My Neighbour Totoro is a hugely successful show based on a Japanese movie made in 1988. The setting is a…
Why we’re flocking to matinees
The Starland Vocal Band were on to something. In their 1976 hit ‘Afternoon Delight’ they sang, in gruesomely twee harmony:…
Irresistible: Clueless, at the Trafalgar Theatre, reviewed
Cher Horowitz, the central character in Clueless, is one of the most irritating heroines in the history of movies. She’s…
