Tamsin Greig
Magnificent: The Deep Blue Sea, at the Theatre Royal Haymarket, reviewed
Richard Bean appears to be Hampstead Theatre’s in-house dramatist, and his new effort, House of Games, is based on a…
Irresistible: Clueless, at the Trafalgar Theatre, reviewed
Cher Horowitz, the central character in Clueless, is one of the most irritating heroines in the history of movies. She’s…
No q for the toilet
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive…
The abbey habit
The world may be going to hell in a handcart but some things remain reassuringly unchanged: Julian Fellowes period dramas…
Lee Evans’s acrobatic clowning is the best thing about Pinter Three
Pinter Three appeals to opposite poles of the play-going spectrum. The birdbrains like me will enjoy the music-hall sketches while…
Perishable goods
Labour of Love is the new play by James Graham, the poet laureate of politics. We’re in a derelict…
Are you being funny?
Monday saw the return of possibly the weirdest TV series in living memory. Imagine a parallel universe in which Are…
