Simon Russell Beale
After the fall
Clunk, clunk, clunk. John Gabriel Borkman opens with the obsessive footfalls of a disgraced banker as he prowls the attic…
Bach to basics
Bach & Sons opens with the great composer tinkling away on a harpsichord while a toddler screeches his head off…
A masterpiece of pro-Trump propaganda: Sweat at the Donmar Warehouse reviewed
Sweat, set in the Pennsylvanian rust belt, looks at a blue-collar community threatened by a factory closure. The script uses…
Extraordinary power and simplicity: Lehman Trilogy reviewed
Stefano Massini’s play opens with a man in a frock-coat reaching New York after six weeks at sea. The year…
Why has the Bridge Theatre opened with this lightweight new play? Young Marx reviewed
Bang! A brand new theatre has opened on the South Bank managed by the two Nicks, Hytner and Starr, who…
The rite stuff
Theo Hobson explores the enduring appeal that religion has for dramatists
Foote fault
Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…
Tales of the unexpected
Two significant anniversaries, each very different but both reflecting the BBC’s mission and the reasons for its continued success. From…
Close encounters
In October 2011 anti-capitalist vagrants built an open-air squat outside St Paul’s within shrieking distance of London’s financial heart. The…
All the men and women merely players
How many books are there about Shakespeare? A study published in the 1970s claimed a figure of 11,000, and today…
Transported by Tolstoy
To have listened to Radio 4’s marathon ten-hour adaptation of Tolstoy’s War and Peace as it was being broadcast on…
Squirming at Screwtape
A surfeit of anniversaries this week reminded us that on the day of President Kennedy’s assassination, C.S. Lewis (born 1898)…
It’s everywhere
They’re now televising proceedings from the Court of Appeal. Great. As if I didn’t have enough to do already, keeping…