Simon Keenlyside
Magnificent muddle
In the 62 years since I first heard and saw Don Carlo, in the famous and long-lasting production by Visconti…
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
Third time lucky
When Keith Warner’s production of Berg’s Wozzeck was first produced at the Royal Opera, nine years ago, it made me…