Powell and Pressburger
To die for
Seventy-five years after its release, Powell and Pressburger’s dazzling, much-loved classic is more timely than ever, says Robin Ashenden
Chilling: Arthur Pita’s The Little Match Girl at Sadler’s Wells reviewed
Did your feet twitch? That’s the test of The Red Shoes. Did your toes point? Your ankles flex? Your arches…
How Technicolor came to dominate cinema
Peter Hoskin celebrates Technicolor’s 100th birthday