Magic Flute
Barbara Hannigan needs to stop conducting while singing
Last week, Barbara Hannigan conducted the London Symphony Orchestra in Haydn, Roussel, Ravel and Britten, though to be honest she…
No laughing matter
As stage directions go, the The Magic Flute opens with a zinger. ‘Tamino enters from the right wearing a splendid…
An overcooked blowout: Glyndebourne’s Die Zauberflöte reviewed
Think back to when you were 12, and the sensation of re-opening your favourite book. (This is The Spectator; I’m…
Deft humour and daft imagery: WNO’s Magic Flute reviewed
Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…
Only adults struggle with The Magic Flute. Kids get it
Spoiler alert: it’s all a dream. At least, I think that’s what we’re meant to take away from the business…
Cold and confusing: Garsington’s Die Zauberflöte reviewed
The picnic hamper’s open, the bubbly is chilled, and country house opera is starting to eat itself. When you arrive…
Mozart magic
Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…
Shtumming the spiel
London may cry foul over Hamlet’s misplaced to-be-ing and not-to-be-ing but Edinburgh is in raptures over a Magic Flute which…
A star is born
The Royal Academy of Music’s end-of-term opera can always be looked forward to because it never disappoints: the repertoire is…
