Film
Finally a Marvel film that doesn’t entirely bore the pants off Deborah Ross
Captain Marvel is the 654th film in the Marvel franchise — the figure is something like that, I think —…
Peculiarly mesmerising: Hannah reviewed
Hannah stars Charlotte Rampling in a film where not much happens and not much happens and not much happens and…
Crackles with nylon, self-regard and unearned privilege: On the Basis of Sex reviewed
Ruth Bader Ginsburg is too ill to sit on the Supreme Court. When she saw On the Basis of Sex,…
The film makes you ashamed to call yourself a journalist: A Private War reviewed
A Private War is a biopic of the celebrated Sunday Times war correspondent Marie Colvin who was, judging from this,…
Dau is not just a pretentious fraud – it’s rather disgusting
The best booers, in my experience, are the Germans. There’s real purpose and thickness to their vocals. Italians hiss. The…
Rivetingly moving: Can You Ever Forgive Me? reviewed
Can You Ever Forgive Me? is a true story based on the 2008 memoir of Lee Israel, the writer who…
All About Eve was all about bitching – off-screen as well as on
In 1950, Bette Davis had a string of recent flops behind her. She was 41, married to an embarrassing twerp…
Boy, does Nicole Kidman look terrible: Destroyer reviewed
Destroyer is an LA noir starring Nicole Kidman ‘as you have never seen her before’. Her hair is terrible. Her…
What a relief we can finally admit Jimmy Porter was a pain in the neck
Gary Raymond must have been wondering if it was the end of a promising career — curtains. He was starring…
A slog – and why does Elizabeth look like Ronald McDonald? Mary Queen of Scots reviewed
Mary Queen of Scots is a historical costume drama that, unlike The Favourite, does not breathe new life into the…
The best tribute possible to the greatest comics ever: Stan & Ollie reviewed
You mess with Laurel and Hardy at your peril. Their fan base is essentially the entire world. Samuel Beckett adored…
Dick Clement on Porridge, Kirk Douglas and having seven projects on the go
Given their track record, you might think that Dick Clement and Ian La Frenais would be spared the struggles that…
![Nothing much happens, yet there is so much to watch: Alfonso Cuaron’s Roma. [Photograph: Carlos Somonte/Netflix]](https://new-dev.spectator.com.au/wp-content/uploads/2018/12/8Decfilm.jpg?w=410&h=275&crop=1)
Nothing much happens, yet there’s so much to watch: Roma reviewed
Roma is the latest film from Alfonso Cuaron (Gravity,Y Tu Mama Tambien, Harry Potter and the Prisoner of Azkaban) and…
New York: the fact – and fiction
New York At times I used to think the place was real. The New York of films, that is. The…
A major missed opportunity: Disobedience reviewed
Disobedience is an adaptation of Naomi Alderman’s novel about forbidden, lesbian love in orthodox Jewish north London, starring Rachel Weisz…
Forget Robin Hood and Girl in the Spider’s Web – Shoplifters is the film to see this week
The major releases this week are Robin Hood, as a big Hollywood retelling, and The Girl in the Spider’s Web,…
What does the commonplace cruelty of Red Dead Redemption say about our times?
Every era has its western. For 30 years, from The Big Trail through to The Searchers, John Wayne reigned supreme…
A mess: Fantastic Beasts reviewed
Fantastic Beasts: The Crimes of Grindelwald is the sequel to the Harry Potter prequel Fantastic Beasts and Where to Find…
Exquisite and riveting: Wildlife reviewed
Wildlife is an adaptation of the 1990 novel by Richard Ford about a family coming apart at the seams, and…
There’s nothing radical about Mike Leigh’s films
So there I was in Soho Square on a cold and rainy morning, nibbling my complimentary almond croissant and eagerly…
Bring back Kevin Spacey
The sixth and final season of House of Cards has begun without Kevin Spacey, who played the murderous Democratic American…
It’s like being trapped in an episode of Poldark: Peterloo reviewed
Mike Leigh’s Peterloo is one of those films where you keep waiting for it to get good, and waiting and…
‘Darmstadt taught me how to compose’: Ennio Morricone interviewed
Ennio Morricone’s staff wish it to be known that he does not write soundtracks. ‘Maestro Morricone writes “Film Music” NOT…
A succession of predigested clichés: Bohemian Rhapsody reviewed
There is a moment in Bohemian Rhapsody when the screen swims with print. The reviews for Queen’s epic new single…
Bleak, unflinching, oppressive, violent – and magical: Dogman reviewed
Matteo Garrone’s Dogman, which is Italy’s entry for the foreign language Oscar next year, is bleak, unflinching, oppressive, masculine (very),…
