English Touring Opera
Devastating: WNO’s Peter Grimes reviewed
Britten’s Peter Grimes turns 80 this June, and it’s still hard to credit it. The whole phenomenon, that is –…
Baffling and vile: ETO’s Manon Lescaut reviewed
In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…
Florid flummery
Lightning sometimes strikes twice. English Touring Opera hit topical gold last spring when, wholly by coincidence, they found themselves touring…
But what about the plot?
You wouldn’t like Tamerlano when he’s angry. ‘My heart seethes with rage,’ he sings, in Act III of Handel’s opera…
Bird brained
Blame it on Serge Diaghilev. Rimsky-Korsakov died in 1908 and never saw the première of his last opera, The Golden…
Master of the notes
Stepping into the Sistine Chapel, the choir loft is probably the last thing you’d notice. ‘Loft’ is, frankly, a stretch…
It’ll end in tears
It was the fourth time, or maybe the fifth, that I found myself reaching for the tissues that I began…
A perfect antidote
Anyone familiar with Joe Hill-Gibbins’s work will brace instinctively when the curtain goes up on his new Figaro. He’s the…
Deft humour and daft imagery: WNO’s Magic Flute reviewed
Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…
I doubt Goethe intended Werther’s sorrows to be as unremitting as this
There are some things the French do better than everyone else. Cheese, military defeats and extra-marital affairs are a given,…
Austerity measures
The difference between lovable, likable and admirable is perhaps more significant in the operatic world than in other artistic spheres…
Baroque brilliance
Visits by English Touring Opera are always to be looked forward to, but this autumn it has surpassed itself with…