Edward Watson

Sin and salvation

30 October 2021 9:00 am

Where does the artist end and their work begin? Like 2015’s Woolf Works, Wayne McGregor’s new ballet swirls creator and…

Natalia Osipova as Mary Vetsera and Ryoichi Hirano as Rudolf in Mayerling

Why Mayerling is a #MeToo minefield

13 October 2018 9:00 am

Kenneth MacMillan’s Mayerling is a #MeToo minefield. Crown Prince Rudolf of Austria-Hungary is a serial seducer, a man of many…

Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed

18 November 2017 9:00 am

A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…

All you need is love

18 July 2015 9:00 am

What could induce a grown-up, rational, childless person to go to see the ballet of Cinderella? You’ll expect to cringe…

Study in spectacle

19 April 2014 9:00 am

In a dance world that has chosen to dispense with stylistic and semantic subtleties, ‘narrative ballet’ and ‘story ballet’ are…