Debussy
Instantly captivating: the mysterious harmonies of Erik Satie
The French composer’s aesthetic was so influential that he gave us the sound of the contemporary world, says Ian Penman
Highs and lows
Rejoice: live music is back. Or at least, live music with a live audience, which, as Sir Simon Rattle admitted,…
Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed
The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…
How Debussy slipped past Wagner into the unknown
A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner.…
Debussy, Tippett and Wagner: the musical treats of 2018
Claude Debussy died on 25 March 1918 to the sound of explosions. Four days earlier, the Kaiser’s army had deployed…
Match made in heaven
Tennis is best played with a wooden racket on a shady lawn somewhere close to Dorking. There is no need…
In two minds
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
