David Mitchell
Have today’s TV dramatists completely given up on plausibility?
In advance, Ludwig sounded as if it was aimed squarely at the Inspector Morse market. Set among spires of impeccable…
Changing the bard
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
Impeccably – and intriguingly – unclear: BBC1’s The Cry reviewed
It’s a radical thought I know, but I sometimes wonder what it would be like if a new TV thriller…
Second thoughts
I had planned to review David Mitchell and Robert Webb’s new Channel 4 sitcom Back without constantly referring to their…
Something to crow about
There’s no way of saying this without shredding the last vestiges of my critical credibility, but this new Ben Elton…
