Christian Gerhaher
Follow the lieder
‘Popular’ classical music is a relative term. Show me someone who thinks Beethoven is surefire box office, and I’ll show……
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
A Winterreise that included a mistake of genius
Broadly speaking, there are two kinds of approach to performing Schubert’s Winterreise, though sometimes there’s doubt or dispute about which…
An unmitigated triumph: Salome at Opera North reviewed
Salome is my favourite opera by Richard Strauss, the only one where there is no danger, at any point, of…
Mistaken identity
This year’s Lucerne Festival is given its identity by having as its theme ‘Identity’. Since the word doesn’t mean anything,…
Bell canto
Cursed, or perhaps blessed, with almost no visual memory at all, I had almost completely forgotten what the Royal Opera’s…
In two minds
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
